AND THEN HE BEGAN TO WRITE

and then he began to write
the passion/obsession of Paul Potts
the typography of Ben Jonson's masques
the pastoral narrative of John Clare/
                                Edward Thomas
the mastery of Guillaime Du Machaut
the directness of Sextus Propertius
the dialog of separateness of Maurice
                 Sceve/Pernette du Guilett
the surprised grief of Thomas Hardy
the multi structure of prosimetra
the peasant vitality/visuality of
                             Jacob Grimmer
the eternal present temporal concept of               
                             Thomas Browne
the love ideas of H G Wells in
                    “Anatomy of Frustration”
the gentle internal colloquies of
                   “The Four Men” by Belloc